Huntley was born in Barnsley, Yorkshire. He lost his father while young. After some practice in London as an amateur, he began his professional career at Brecknock about 1806. A bad start was made, and he appeared with no more success at the Lyceum. At the Richmond Theatre, he remained for some time, studying and rising in his profession. After performing at Stamford and Nottingham, he played Othello to the Iago of Carey, otherwise Kean, at the Birmingham Theatre. Under Ryley at Bolton he was seen by Elliston, who engaged him for Manchester, and brought him subsequently to the Olympic and to the Surrey, where in the summer of 1809 he appeared as Lockit in the Beggars Opera to Ellistons Macheath.
Huntley was a wellbuilt man, about 5160ft.in. in height, dark, with an expressive face, great command of feature, and a clear and powerful voice, the undertones of which had much sweetness. Before ruining himself by drunkenness and other irregularities of life, and by playing to vulgar audiences, he had great powers of expressing rage, fear, despair, and other strong passions. He was seen to advantage in Tom Jones, Edward the Black Prince, Fazio, Lockit, George Barnwell, and the Vicar of Wakefield. A portrait of him as Balfour of Burley is given in Oxberrys Dramatic Biography, new series, vol. i. His death was hastened by intemperance. Oxberry doubtfully says he was born in 1785, died in 1823, and was buried in Walworth. When at the Surrey with Honeyman the lessee, who was also a publican, his terms are said to have been a guinea a night and as much brandy as he could drink. He married about 1808, but separated from his wife, by whom he had a child. Another Frank Huntley, who was
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