Horse and Woman and Dog

Horse and Woman and Dog , Uma to Onna to Inu? aka Horse and Dog and Lady , Uma to Inu to Kifujin? and Poaching by the Water or Poaching by the Waters Edge , Mitsury no Migiwa? is a 1990 Japanese pink film directed by Hisayasu Sat.

Usually concerned with the alienation of modern urban life, Horse and Woman and Dog was the first of director Sats films to have a nonurban setting, though his dark and disturbing style remained. Sat originally named the film Poaching By The Water, but Shinth Eiga, the distributing company, chose to promote the scenes of bestiality in advertising, and gave it the more specific title Horse and Woman and Dog. Such renaming by studios is common in the pink film industry. Kanako Kishis sex scenes with animals created a good deal of controversy and resultant publicity. Shinth Eigas strategy paid off, and the film became a scandalous success, and, according to the studios website, one of the top hits in Shinths history.In his Behind the Pink Curtain The Complete History of Japanese Sex Cinema, Jasper Sharp singles out the opening scene of Horse and Woman and Dog as an example of Sats technique for placing the audience at an uncomfortable position as viewers of his films. The sadistic woman is applying makeup to her face while looking into the mirror of a compact. As the sounds of a young girls screams become more audible, the woman tilts the mirror so that her face is looking directly into the audience. Sunglasses prevent the audience from fully understanding how it is to interpret the womans gaze. In their Japanese Cinema Encyclopedia The Sex Films, the Weissers give Horse Woman and Dog a qualifieddue to the extreme nature of the filmrating of three out of four stars. The success of Horse and Woman and Dog led Sat to film a second bestialitythemed film the following year, Lady of the Stable aka WAVE, 1991. ........

Source: Wikipedia