Pestonjee

Pestonjee is a 1987 Hindi drama film directed by Vijaya Mehta, starring Anupam Kher, Naseeruddin Shah and Shabana Azmi, based on a story by film journalist B. K. Karanjia.

The film is an intimate look into the life and manners of the Parsi community especially those living in the city of Bombay now Mumbai in the 1950s and 60s. Phirojshah Naseeruddin Shah and Pestonjee Anupam Kher are close friends. They like to do everything together and even plan to get married on the same day, even though they are very different in temperament. Phirojshah Phiroj is quiet, thoughtful, and indecisive, while Pestonjee Pesi is an extrovert. Phiroj is unable to make up his mind about marrying a girl, Jeroo Shabana Azmi, selected for him by a matchmaker. It is Pesi who ends up marrying her. Phiroj has fallen in love with her, but does not grudge Pesi his happiness. He decides not to marry, and moves to another city. They keep in touch by mail. Phiroj is delighted to hear that they are expecting a baby. He decides to travel to Bombay to visit them. During his visit, Phiroj learns that the married life of Pesi and Jeroo is not as he had imagined it. Jeroo has had a miscarriage. Phiroj is horrified to discover that Pesi has a mistress. He is saddened by how Jeroo has changed. She is no longer the pretty girl she was, but appears cantankerous and uncaring. Both she and Pesi are unhappy in their marriage. Phiroj resolves not to meet them, but mentally is unable to keep himself aloof. All three carry on with their unhappy lives until Pesis sudden death. Finally, Phiroj discovers that he cannot help Jeroo. Soona, Pesis mistress whom Phirojshah had thought of as a loose woman, turns out to be the one person capable of genuine love.Critically, the film was generally well appreciated, both for its meticulous depiction of Parsi life and for the performances by all the lead actors. Scholars Gokulsing and Dissanayake write, ... there is certainly a strain of sentimentality in the film. But it is counterbalanced by the comic observations of the director and the humour generated by the dialogue as well as the acting. ........

Source: Wikipedia